Tag: escape room game

RECON, Redux: The Virtual Escape Room Con is Back

The Cipher Organization is a secret society that hosted annual events for well over a century “to gather the world’s most clever codebreakers, riddle solvers, and conundrum designers for the sharing of knowledge…and clandestine recruitment.” Due to the pandemic, the Cipher Organization created the Reality Escape Convention (RECON, for short) to test the mettle of new recruits through a free, virtual event.

Or at least, that’s what the alternate reality game embedded within RECON’s inaugural escape room conference would have you believe. In reality, the 2020 event was created by the escape room blog Room Escape Artist, and featured appearances from everyone from escape room creators and video game developers to Survivor contestants and cruciverbalist magicians. Starting on August 22nd, RECON will return for another round of virtual programming that can be experienced free of charge. And while it’s too soon to say whether the Cipher Organization will return, it looks like RECON 2021 will also feature a “secret” ARG.

RECON Reconnaissance: An ARG-centric Look at the RECON Schedule
While RECON 2020 is a conference focused on the escape room scene, the schedule is riddled with sessions and topics that should be of particular interest to ARG fans.

  • Elan Lee – Best known in ARG circles for his role in helping create the genre through his work on The Beast for the film Artificial Intelligence, Lee is giving a talk called Escape Rooms Taught Me How to Build a Booth, discussing his recent work as co-creator and CEO of Exploding Kittens and the wildly creative (and sometimes contentious) way the company has approached convention booths.
  • Errol Elumir – Although possibly best known for his role as co-host of the Room Escape Divas podcast, Errol is a prolific puzzle designer in his own right, and has run the annual Cryptex Hunt since 2018, hiding puzzles in an impressive array of framing devices including a MUD, magazine, online novel, and most recently, a point-and-click adventure game jam. He was also co-creator of the RECON’s 2020 ARG along with Mike Augustine. It’s more than a little fitting, then, that his talk is on Five Things Designers Should Know About Escape Room Puzzle Creation.
  • Rita Orlov and Summer Herrick – Their session frames hinting as Fun Insurance, and focuses on ensuring that hint systems help enhance the experience for players. ARGNet previously reviewed Orlov’s upcoming tabletop puzzle game The Emerald Flame as a prime example of what a single-player ARG experience might look like. Herrick, owner of Seattle’s Locurio escape rooms, was part of the running team for the 2020 MIT Mystery Hunt, and helped design a personal favorite puzzle for that year, providing additional experience at creating (and hinting) for puzzles designed for larger audiences.
  • Neil Patrick Harris – Yesterday, the RECON team announced that Neil Patrick Harris would be kicking off RECON 2021. Harris has been extremely active in the immersive space over the years, both on the creative side for projects like Accomplice: Hollywood and BoxONE, and as an active participant in shows like The Tension Experience.

RECON Basic access is available for anything from $0 to $50 (with a suggested ticket price of $30), and offers full access to the full RECON lineup of speakers, in addition to video and voice chat “bars” to encourage socializing with fellow attendees as well as the return of the Exhibit Hall to check out virtual vendor booths.

RECON Pro tickets are available for $100, which unlocks facilitated chats after select talks, Discord AMAs with select speakers and guests in the Discord, “Birds of a Feather” chats with fellow attendees, and active workshop sessions. RECON VIP tickets priced at $500 allow for a more curated experience, allowing for guaranteed access to limited capacity events.

The RECON 2021 schedule and speaker list is packed with a host of interesting people and discussions…which is going to make the allure of the conference’s many opportunities to play escape rooms, puzzle hunts, and ARGs all the more dangerous.

Continue reading

Sneak in Some Free Virtual RECON for Escape Room Con

RECON eye & penrose triangle logo.

In August 2021, a collective of escape room creators, reviewers, and enthusiasts will converge in Boston for Reality Escape Convention (RECON), a two-day long convention dedicated to the escape room industry hosted by a team of industry leaders. The event promises carefully curated talks from a list of industry leaders, followed by interactive discussion groups with attendees to connect with the community, with early bird tickets priced at $300. The team is headed up by the Room Escape Artist blog, which has previously arranged for a series of Escape, Immerse, Explore escape room tours.

The Reality Escape Convention may be coming to Boston next year, but the wait for RECON content is much shorter. Next week, from Sunday August 23rd to Monday August 24th, the RECON team will be putting on a virtual version of their conference. For free. While the convention originally planned on holding their inaugural Boston con in 2020, they postponed for a year out of consideration for the safety of attendees. However, recognizing that the unprecedented challenges the escape room industry is facing is exactly the right time to assemble the escape room community to connect and share knowledge, the team pivoted to a free virtual convention to help facilitate the sharing of knowledge to set the stage for next year and beyond.

Registration for RECON Global remains open, and over 500 people have already expressed interest in conducting some virtual RECONnaissance in the coming week.

Continue reading

Refining the At-Home Escape Room Model with Flashback

Two years ago, I wrote a brief introduction to the world of escape room in a box games for Boxing Day after playing Wild Optimist’s Escape Room in a Box: The Werewolf Experiment. Juliana Patel and Ariel Rubin initially funded production of their game through a Kickstarter campaign, before partnering with Mattel to produce a mass market version of the game that includes one particularly devious puzzle that still sits as a trap on my desk for unwary coworkers. The Wild Optimists have partnered with Mattel once more with Escape Room in a Box: Flashback, a game that manages to create the most elegant narrative and puzzle-based experience I’ve seen in the space.

New Retro Packaging, Same Lycanthropic Focus
While the retro ’90s design aesthetic of the box and Flashback title might imply this game is a throwback to the electronic board game era of Dream Phone and Electronic Mall Madness, the Wild Optimist’s newest escape room in a box is actually a direct sequel to The Werewolf Experiment. In the first installment, players were tasked with facing off against the mad scientist Doc Cynthia Gnaw, rushing to avoid becoming a casualty of her latest experiments. For Throwback, Doc Cynthia Gnaw is back with a vengeance, and players need to dive into her history to get out intact.

Because the narrative framing is so straightforward, these games don’t have to be played in sequence: the group I assembled to play this game had never played The Werewolf Experiment before, and at no point in the 90-minute experience did I need to stop and explain what happened in the previous chapter.

Puzzles in Three Acts: Letting Players Choose Their Puzzling Fate
In The Werewolf Experiment, the solving process was largely a linear one. Upon opening up the box, a series of puzzles became available. By solving puzzles, players would figure out the combinations for a series of plastic combination locks or receive hints to explore unexpected places to uncover additional puzzles until they figured out how to open up the final locked box.

Flashback refined that model by splitting gameplay into three separate rounds: a word-puzzle round themed around Doc Gnaw’s childhood friend Doctor Lisa David, a science-oriented puzzle round themed around Doc Gnaw herself, and a childhood round themed around their friendship. If smaller teams are tackling the escape room, these rounds are probably best tackled sequentially so everyone can appreciate the full breadth of the experience together. However, larger teams may find it easier to get everyone more consistently engaged by splitting up into smaller groups, and tackling the themes that speak to them while also making it harder for a single person to dominate the solving process.

This is where the game’s strong theming steps up to become the hero: because each of the rounds have distinct theming and color-coding, it’s possible to have all the game’s pieces splayed out on the table at the same time without getting confused about which puzzles are tied to which theme.

Continue reading

Happy Escape Room in a Boxing Day!

It’s Boxing Day! The day when thoughtful gifts from friends, family, and coworkers are exchanged for store credit, and when you start planning on how to convert that stack of gift cards into even more presents. Something to consider for puzzle fans: the escape room in a box.

Comparing escape rooms in a box against their traditional escape room counterparts is a bit like comparing a theatrical performance with its cinema adaptation. Paying a premium to see a performance of West Side Story live delivers an experience that can’t be completely translated to film, and attempts to directly lift the experience will make that absence noticeable. However,  in the hands of the right team, cinematic adaptations can do things that would be impossible on a live stage. This article explores how three different companies brought their own particular spins on bringing the escape room genre home.

Continue reading

Giving Escape Room Stories Room to Breathe through Theater

Madame Daphne’s Tarot Reading Room and Séance Parlor is hard to find without assistance, hidden away in a Houston artist’s studio. An invitation from Madame Daphne herself provides instructions through the former rice packaging plant’s stark white interior to the medium’s lair, its lavish decor making it feel like a room out of place. Stepping over the threshold begins a 90 minute experience that tells a tale of deception, magic, and love spanning almost a century.

Strange Bird Immersive’s production The Man From Beyond thrusts 4-8 players into a supernatural adventure that combines a masterfully crafted escape room themed around Harry Houdini with an immersive theater performance to frame the experience, set within the walls of Madame Daphne’s parlor.

An Immersive Theater Sandwich
The Man From Beyond‘s fictional narrative starts the minute players step into the room, as Madame Daphne greets her guests with a dramatic flourish. All the standard onboarding activities of an escape room are wrapped up into the context of the room, with a flair for the dramatic. The requisite waivers are still signed, but are done through the narrative conceit of the séance. Players are presented with the rules for the experience through a series of photographs in the hallway leading to the séance parlor, illuminated by candlelight. The séance itself sets the stage for the escape room portion, setting the narrative context for players when they take over the story’s agency.

Once the room’s clock starts ticking, the room transforms from séance parlor into a standard escape room. In a room surrounded by Houdini’s tools of the trade, players must tackle a century-old mystery on a deadline. At key milestones in the experience, micro-moments of theatrical exposition serve as narrative cut scenes, serving the dual purpose of rewarding player’s progress through the puzzle portion and reminding players of their broader purpose in the room. Solving a major puzzle might unlock information about Houdini’s wife Bess’ previous efforts to speak to her dead husband.

Most room escape games leave little room for telling a narrative that exists outside the room’s theming. A room based around an archaeological dig might hide some of its puzzles in a dig site and draw upon those themes to inform its puzzles, but a certain amount of suspension of disbelief is required to tackle the room’s challenges. Even rooms that try to adhere to their own internal narrative consistency stick to a bare-bones plot due to the realities of room design. Players must often split themselves up into continually shifting groups to divide and conquer in the most efficient way possible. While this tactic is highly effective at uncovering a room’s secrets, it forces players to experience the room’s narrative in a disjointed fashion. Players might all be aware they’re escaping from a jail cell, but the specifics of their escape route might only be known to a few participants, on a need-to-know basis. This challenge is exacerbated in the final minutes of a room, as teams scramble to put together the final pieces needed to escape. Often, escape room operators’ explanations at the end of the room are as necessary to explain the accomplishments of teammates as they are to highlight overlooked puzzles and clues.

The Man From Beyond addresses that problem by explicitly carving out time outside the escape room’s unforgiving countdown to allow players time to take in the story. Every player is aware of what they’re doing because they experienced the introduction together, before the clock started ticking. Every player knows the main narrative beats because the information is broadcast to the group at key moments. And the grand finale can be fully experienced since it takes place after escaping the room, removing any time pressures that might otherwise cause players to gloss over the story.

Because Strange Bird Immersive created space for players to breathe and take in the narrative, it stopped the puzzles from overwhelming the game’s powerful narrative themes. During my team’s playthrough, we made it through the puzzles at a steady clip, but were so moved by the bittersweet tale that few of us made it out through the full experience without shedding a few tears along the way. It wasn’t just that the story was pulling on our heartstrings. It was knowing everything that happened was because of our actions.

Continue reading

The Puzzling Rise of the Escape Room Game

the-tomb-boston

Image of Tomb’s sarcophagus illumination puzzle. ©2015, 5 Wits Productions, Inc.  Used by permission.

The first time I visited Boston, I met up with a group of friends and broke into an ancient Egyptian burial chamber. The tomb’s resident pharaoh was not exceptionally happy about our flagrant act of trespass, and forced our group of amateur archaeologists to solve a series of puzzles before barely escaping with our lives.

The rooms in the tomb were designed with a family-friendly audience in mind, and our guide throughout the experience embraced his role with an exuberant gusto I had only seen before from a skipper on Disney’s Jungle Cruise. The experience managed to make even familiar puzzles feel extraordinary: no matter how many times you’ve solved Tower of Hanoi puzzles in the comfort of your own home, it’s a completely different experience when you’re passing oversized pieces across the room while the ceiling is slowly crashing down overhead.

When 5 Wits‘ puzzle adventure Tomb set up shop in Boston in 2004, it was something of a rarity. The interactive exhibit mixed theatrics with physical puzzles to make its guests feel like swashbuckling adventurers narrowly escaping danger thanks to their collective intelligence. And the design was flexible enough to reward that success, allowing for multiple endings based on groups’  performance. While the original location is now closed, the 5-Wits moved Tomb to Tennessee, launching additional puzzle experiences in Washington DC, Massachusetts, and New York covering themes ranging from undersea exploration to espionage. Over the past decade, this type of immersive puzzle experience has expanded exponentially, with hundreds of locations putting down roots across the globe. For many, visiting the nearest real-life escape room is a day-trip away.

Continue reading