Onwards to part two of the first day of the PICNIC conference schedule–this section of three consecutive panels and presentations was all about the shifts in demographics: the role that race and ethnic background play in producing theatre on Broadway and in emerging online communities, and the role of a changing audience and the way that audience divides its attention on “traditional” media.
First off was a presentation by renowned producer David Binder, who talked us through his experience bringing Lorraine Hansberry’s 1959 play A Raisin in the Sun back to Broadway for a modern day revival. As A Raisin in the Sun is a classic African-American play, Binder wanted to honor its roots, which to him meant that he had to find an African-American director. Broadway isn’t exactly brimming with diversity (of the 40 directors active on Broadway last season, 36 were men and only one person of color), so Binder had his work cut out for him.
What followed was a mildly interesting relay of his quest for a director (he ended up working with the then relatively unknown Kenny Leon) and cast (he managed to snag Sean Combs aka P Diddy for the lead role). I think my appreciation of Binder’s excited monologue was slightly hampered by the fact that my knowledge of all things Broadway is virtually nonexistent and the fact that as a European, I’m a lot less used to such a heavy emphasis being placed on race, so some of his points sounded (literally) rather foreign to me.
On a personal note, Binder gets a lot of credit from me for having the creative guts to bring The New Island Festival to New York City. The festival is based on two important Dutch theater festivals, Oerol and De Parade. From what I gathered from his talk, reviving a play like Raisin in the Sun took a lot more guts than that.
In 2008, Facebook chief executive Mark Zuckerberg proposed a social networking analog to Moore’s Law, which states that the number of transistors on a chip doubles every two years. “Next year,” Zuckerman posited, “people will share twice as much information as they share this year . . . [t]hat means that people are using Facebook, and the applications and ecosystem, more and more.” Recent studies suggest that individuals are willing to trade privacy in exchange for small rewards and convenience. As the online marketplace is embracing social networking and the “free” economy, people are increasingly faced with limited bargaining power and ignorance about what information they are offering in exchange for services. In order to address many of these issues, the British public-service broadcasting network Channel 4 has paired with veteran alternate reality game designers at Six to Start to create “Smokescreen,” a 13-part online adventure designed to educate youth in the UK about issues of online privacy, identity and trust. The online game will be released in September.
“Smokescreen” is about a vicious new game called “The Rumor Mill” sweeping its way across the fictional social network called “White Smoke.” The network’s owner, Max, is concerned the game might be a front for something else. According to Channel 4, the game, targeted towards 14-19 year olds in the UK, will allow players to network, collaborate and challenge each other using their identity as a weapon, and privacy as armor. Six to Start’s Chief Creative Officer Adrian Hon explains that “Smokescreen is a game about life online. Every time you hear about a teenager being hauled up at school because of their Facebook profile, or someone being conned out of their password on Twitter – that’s what Smokescreen aims to explore. And because our game puts players in a simulated situation, we can give them an experience that is far more powerful and immersive than any other media.” Six to Start’s CEO Dan Hon adds that “[i]t’s about the implications of what sharing information means to daily life, beyond just stealing identities or credit cards . . . [t]his could simply be one character asking you to find out information about another character, leaving you to decide whether you tell them or use it to your advantage.”
Channel 4 Education is embracing the cross-media entertainment model, with game budgets Routes, an alternate reality game addressing the implications of genomic research. Alice Taylor, Channel 4’s Commissioning Editor, told Escapist Magazine that Channel 4 aims to get “more teens and more impact for our investment. We still do television projects – but now they’re native to the internet, and sometimes they act like games, too.”
Providing information about yourself on the internet is not in and of itself a bad thing. However, disclosing information should be an informed choice. And “Smokescreen” is a step in the right direction towards fostering media literacy.