Sometimes, the most interesting games are also the most controversial. They push the limits of expectations and possibilities, presenting new challenges and opportunities for participatory play. Purity Towers, the latest campaign from Funnel Productions, operated on two levels of controversy. First, the producers created a competitive game environment between two divergent camps: the hegemonic Proscript Party, and the representatives of the underclass, the Grotian Underground. Secondly, the game’s content, while often presented in a light and humorous way, touched upon real social and political issues, including illegal detention and torture, revolutionary change, and political oppression.
The Grotians and the Proscripts were once two antagonistic kingdoms forced to cooperate because of frequent dragon attacks. When the dragons were finally defeated by Edward Jameson, a mythical hero and ancestor of the last Proscript President, the Grotians were in worse shape than the Proscripts. According to the mythos, the Grotians agreed to become the servant underclass of the Proscripts, and for several generations the People’s Proscript Party (PPP) ruled over the “Proscription Zone.â€
One day, the Grotian Underground (GU) started recruiting players. A luxurious Party-owned residence, Purity Towers, was about to open its doors, becoming a landmark in “The Proscription Zone.” The GU defaced the Purity Towers website, and a high-ranking Party member encouraged players to create their own GU cadre, resulting in a ning network, an underground newspaper, and the blogs of two symbolic leaders, Levi Waltershield and Rosa Wells. To complicate matters, two recurring Funnel Productions characters, Earl de Rosa and Randy Porknut got a contract to sell Sticky Itchers Shower Scrub to Purity Towers. Randy recently recovered from a bout of undeath from a previous game while Earl, in his drunken grief, got married in Las Vegas and misplaced his new bride. Inspired by this, a GU player starred as Earl’s lost wife, Bertha Marie Effenberger. Making some heartfelt videos, Bertha’s mission was to get Earl to sympathize with the Grotian side and infiltrate Purity Towers while delivering Sticky Itchers Shower Scrub.
Onwards to part two of the first day of the PICNIC conference schedule–this section of three consecutive panels and presentations was all about the shifts in demographics: the role that race and ethnic background play in producing theatre on Broadway and in emerging online communities, and the role of a changing audience and the way that audience divides its attention on “traditional†media.
Not your ordinary PICNIC: that’s the tagline I found plastered all over the Westergasfabriek terrain during PINIC ’09. And PICNIC indeed is something quite out of the ordinary.Â
Wednesday September 23rd is a day a lot of people in the creative industry have been looking forward to, as tomorrow the fourth installment of PICNIC will kick off in sunny Amsterdam. Previous incarnations of this intangibly sparkly conference were self-defined as a “crossmedia conference†but this year, the organization of PICNIC didn’t even try to put a tagline on the event.
ABC, the producers of LOST, and Australian digital entertainment company Hoodlum walked away from last night’s Emmy Awards with the award for Outstanding Creative Achievement in Interactive Media – Fiction for their work on the alternate reality game Dharma Wants You. ABC secured a win from its NBC competition, beating out both The 30 Rock Digital Experience and The Office Digital Experience for the award.
The dystopian kingdom of Eleysia has its priorities in order: rather than developing automobiles, telecommunications technology, or a democratic political structure, its citizens have perfected the use of tinted goggles as a fashion accessory. Starting later this week, members of an Eleysian religious cult known as The Sect will start proselytizing their ways to our world. You can already view some of their highly stylized promotional materials at their website,