This article resumes our PICNIC coverage on day two of the conference, which focused on the theme of “Exploding Media.” The second half of PICNIC’s Exploding Media coverage explores branding campaigns, location-based entertainment, and the development of special effects.Â
Jessica Greenwood, deputy editor of trendwatching magazine Contagious, took the audience on a tour of innovative branding and marketing campaigns that are all on the frontlines of the changing media landscape. One of the quotes she used in her introduction was one of Douglas Adams: “Anything invented before you were 18 has been there forever, anything that turns up before you’re 30 is new and exciting, and anything after that is a threat to the world and must be destroyed.â€Â Adams’ quote raises an interesting notion, indicative of how innovations are often received. Greenwood elaborated on several innovations in the marketing field that did receive favorable receptions, and, probably more importantly, were also quite successful in reaching their goals.
The first case was Virgin Mobile’s Australian campaign Right Music Wrongs, which kicked off with a video of musician Vanilla Ice apologizing for his music, asking the public to vote on whether he was guilty or innocent of ‘music wrongs.’ The project had an initial budget of only $150k, launching an engaging campaign around the musician and the concert he was going to give in Sydney in March ’09. It ended up reaching 22 million people and getting hundreds of thousands of people engaged in several online activities.
It’s time for day two of PICNIC, and a new day means a new theme: Exploding Media. The theme brought with it an exciting schedule, filled with more on social media, but this time focusing on trying to find parallels between social media and brands and marketing strategies, as well as on games and interactivity.
Onwards to part two of the first day of the PICNIC conference schedule–this section of three consecutive panels and presentations was all about the shifts in demographics: the role that race and ethnic background play in producing theatre on Broadway and in emerging online communities, and the role of a changing audience and the way that audience divides its attention on “traditional†media.
Not your ordinary PICNIC: that’s the tagline I found plastered all over the Westergasfabriek terrain during PINIC ’09. And PICNIC indeed is something quite out of the ordinary.Â
Wednesday September 23rd is a day a lot of people in the creative industry have been looking forward to, as tomorrow the fourth installment of PICNIC will kick off in sunny Amsterdam. Previous incarnations of this intangibly sparkly conference were self-defined as a “crossmedia conference†but this year, the organization of PICNIC didn’t even try to put a tagline on the event.