Category: Features (Page 17 of 37)

Comic-Con Recap: ComiTRON

In 2008, Disney came to Comic-Con with some early conceptual footage for a movie that, at that time, was called TR2N. It received such strong support and generated so much excitement from the Comic-Con crowd, Disney greenlighted the project. Flash forward to the 2009 Comic-Con, where Disney presented additional footage for the now-titled TRON: Legacy. Fans were also led on a merry chase through San Diego leading to a recreation of Flynn’s Arcade, where further information about the disappearance of Kevin Flynn was revealed.

Flash forward again to 2010, where the Flynn Lives alternate reality game ramped up through the release of online mini-games leading to live drops, movie screenings, digital badges, and real-life TRON artifacts. Meanwhile, buzz for the movie increased as Comic-Con approached and TRON banners and signs appeared around San Diego. The news media started referring to Comic-Con as ComiTRON, which generated even more excitement and anticipation from the ARG community following the Flynn Lives campaign as they started to wonder: would Flynn’s Arcade return?

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ARGFest 2010: Hotlanta Recap

Near, far, wherever you are – ARGFest 2010 in Atlanta, GA was a blast. Whether at ARGFest or its virtual Twitter counterpart #PretendARGFest, the annual conference dedicated to alternate reality games was filled with informative panels and discussions, hands on gaming, mysteries, and social and professional networking opportunities.  While the player community in attendance was less this year and creative minds and industry folk were in relative abundance, all aspects of the ARG/Transmedia genre and community seemed well represented.

To usher in ARGFest 2010, Brian Clark welcomed everyone and introduced the newly appointed “Grand Inquisitor“, Steve Peters. The first session was presented by Andrea Phillips of Deus Ex Machinatio. Andrea set the pace for the fest by presenting Beyond the Brunette – an analytical look at stereotypical gender roles in gaming and storytelling. By providing a look at numerous common character cliches, attendees couldn’t help but notice throughout the remainder of the conference how common they actually are. As one of her session’s focal points, Andrea posed the challenge to be unique and break away from using standard, typical archetypes.

Other panels and sessions this year covered a host of informative topics, including:

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PICNIC 2010: A Preview of Things to Come

PICNIC will be holding its fifth annual conference at the Westergasfabriek in Amsterdam from September 22-24 this year. PICNIC is a conference/festival in beautiful Amsterdam that started out as the “Cross Media Week Festival.” And while it is becoming harder to define every year, PICNIC describes itself as “a festival that blurs the lines between creativity, science, technology and business to explore new solutions in the spirit of co-creation.” ARGNet is pleased to announce that we will be a partner of PICNIC 2010, and are able to offer our readers a discount towards registration. Details on applying the discount can be found at the end of this article.

This year’s conference theme is Redesign the World, focusing on innovation in Life, Cities, Media and Design. Speakers include PICNIC veteran Charles Leadbeater (author and former advisor to Tony Blair), Cory Doctorow (co-editor of BoingBoing and author of the novel Little Brother), Jeff Jarvis (journalist and former creator and founder of Entertainment Weekly), and YouTube phenomenon Moldover (the “Godfather of Controllerism”). For further information on the program, check the conference’s Speakers or Program Highlights to learn more about this year’s PICNIC.

The conference attracts attendees from a wide variety of backgrounds, including “creative agencies, artists, scientists, designers, marketers, brand managers, content producers, (new) media experts, government leaders, programmers, investors, lawyers, entrepreneurs, freelancers, inventors, technology providers, games developers, services providers, students and teachers.” If you are looking for an idea of what to expect, take a look at ARGNet’s previous coverage of PICNIC.

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The Legion of Extraordinary Dancers Bounds into the Limelight


At the stroke of midnight on July 7th, the first two videos of Jon M. Chu’s web series, The LXD, went live for viewing in the United States, and the international release should not be far behind. Beginning with its “Moments” trailer released last December, The LXD has been hard at work during the first half of the year promoting its dance team and raising awareness for the web series with performances at TED, the Oscars, and So You Think You Can Dance. Billing itself as “the world’s first online dance adventure”, The LXD promises a transmedia experience spanning multiple platforms, including instructional videos, live events, film, and television supplementing the web series.

In his talk at TED 2010, Chu described The LXD web series as “a living, breathing comic book series – but unlike Spiderman and Iron Man, these guys can actually do it.” The LXD shows a world where dancers are superheroes with powers and abilities related to body movement and dance. A great battle between good and evil looms on the horizon in this world of superdancers, encapsulated in an event known as “The Uprising.” “There is a legion,” the unnamed series narrator tells us: “a legion of bravery, of hope, of the extraordinary. They lie amongst us, preparing for battle, waiting to rise and change things for good.”

The initial two videos offer a troupe of tropes from the “good vs evil” archives. There is Trevor, quiet and repressed but possessing secret powers of dance, a secret crush, and a demanding father. There is Illister, the villain, and the Observers, who are with the good guys and who protect “the son of the Drift.” There is also the conspiracy theorist reporter, determined to unlock the secrets of the LXD, and two best friends who will be torn apart by jealousy. Yet, in the story are some intriguing elements that rise above the tropes: what bestows these powers of movement on the dancers? what is really in the warehouse, who put it there, and why? And who is the Illister, my current personal favorite, described in the site’s character biographies as having “no side but his own”? (Except that his mission is to kill Trevor, so it sounds to me like he has a side – an evil side.)

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We Lost Our Gold: 3 Pirates, 1 Ninja, 10,000 Dollars

A poor, adorable pirate-and-ninja crew have misplaced their pirate booty somewhere in the five boroughs of New York City, and if you can find it, you might walk away with a chest filled with 10,000 gold-colored dollar coins. We Lost Our Gold is an eight-part web series that will contain clues to the location of the loot. To prevent complete chaos in the city, the organizers have asked that people not dig randomly, and instead watch the videos for clues because the spot will be marked. The We Lost Our Gold website itself will be the “treasure map” as the hunt begins in earnest on August 1.

Who has 10,000 dollars to drop somewhere in New York? The creators of We Lost Our Gold are keeping this kind of out-of-game information very close to the chest, and very little can be found about them despite mainstream coverage of the project on the Huffington Post. The pirates themselves have issued what might very well be the best press release ever written.

We Lost Our Gold will be a true, modern-day treasure hunt: according to the creators, “We’ve always wanted to experience the excitement of searching for pirate treasure, so we decided to give that feeling to everyone else.” That the pirates (and ninja) have made an appearance on a Times Square billboard suggests some serious resources, and at least one social media blogger has suggested that We Lost Our Gold might be a promotion for New York City tourism.

Although We Lost Our Gold doesn’t start until next month, two trailers have been released, with another trailer scheduled for July 18. The three pirates and ninja can be reached over email, and two of them, the Captain and first mate Mulligan, have active Twitter accounts. The Captain is sharing his piratical wisdom in a series of useful “pirate tips,” and Mulligan has learned to navigate the city by subway. We Lost Our Gold also has a Facebook fan page for updates, and there’s some speculating over at the Unfiction forums.

While waiting for the madness to begin, I decided to email the Captain a few innocent questions. The Captain wasn’t too thrilled about it, but still I got quite the response, edited below as an interview for ease of reading.
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ARGFest is Almost Here


This year will mark the 8th anniversary of ARGfest, and this year’s conference promises to be the most ambitious yet. The format has changed and expanded to include four days of information, networking and game-filled fun. The two day conference will take place on July 15th and 16th and will be filled with presentations, panels and roundtables galore. And in the spirit of the conference’s new “Think! Play! Do!” theme, a gaming festival has been added July 17th and 18th, where festival-goers will be able to participate in street games, location-based games, storytelling events and ARG live events.

The full conference schedule has not yet been released, but some of the announced panels include one involving casual social games and one made up of ARG enthusiasts. Presentations include Brooke Thompson’s “Can Transmedia Save the Soap Opera” and Patrick Möller’s “Follow the Rabbit”. The conference will also feature a return of the ARG Museum, a display of artifacts from past alternate reality games. In addition to the typical conference activities, this year’s ARGfest will include a writing workshop with Maureen McHugh of No Mimes Media, a mini game jam that will help participants create a working game prototype by the end of the weekend, and an organic panel session that will be shaped on the fly by the audience.

ARGfest 2010 will take place July 15th through the 18th at the W Atlanta-Midtown hotel. Multiple registration packages are available on the ARGfest website or at the door. Hotel reservations can be made on the website at the discounted group rate.

Editor’s Note:  Tomorrow (June 27th) is the last day for ARGFest’s Regular Registration rates, so now is an ideal time to select the package that best reflects your interests.

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